“Don’t rush.” “Stay there.” “I will carry you.”
This is what the men say as I learn to tango. It is a machista dance of a machista culture, to be sure. And yet I find myself wanting to learn to follow even as every ounce of my feminist self rebels at the idea of being told where to go and what to do. The tango is not like other dances, such as the waltz or salsa, in which both partners execute a repetitive series of steps embellished by turns or changes in direction. In tango, the steps themselves may take more or less time to execute, the turns are taken together, and the changes in direction might take you all the way across the floor.
There is a moment in which the women is suspended, held against the man’s body with her weight on one foot, twisting until he decides to release her. In some ways, it is her moment, and she can employ her grace and skill. In other ways, it is his moment, because if he lets go she might fall. And yet she is responsible for keeping her balance while she leans into his embrace. A paradox, perhaps, one I am trying to figure out.
At my last practice session I prepared to dance with a
teacher I hadn’t met before.
“I have to think of…” I started to
say, thinking of how my weight should be forward, my torso turned in, the
pressure light in my right hand, the backward steps long, my head tilted
slightly to his, and, above all, my movements as slow as my partner and the
music allow.
“Don’t think,” the teacher said.
Right, just follow what the man marks for you (when have I ever done that?). Be carried. Float backwards around the room, never knowing where you will go next, or what you will be asked to do. Don’t anticipate, don’t direct, don’t hurry. Just be here. And here. Now and now and now.
A word about the shoesAfter ducking into an alley and climbing up a flight of stairs, I rang the bell on the black door of "Comme Il Faut," one of the city's premier shops for tango shoes. There are virtually no samples on display because the saleswomen bring out what they think would work well for you. I tried on several pairs, but the first ones the woman brought turned out to be the best. Handcrafted of black suede, with a tall but solid heel and a pliable leather bottom, they encourage you to shift your weight to the ball of the foot. Of course they make me tower over most Argentine men who barely reach my chin when I'm not wearing heels. I left the shop with the shoes enveloped in a white silk sack and a little black canvas carrying bag--not-quite-ready to look like I know what I'm doing.